Saturday, December 9, 2017

Friday, December 8, 2017

Yo Yo Ma - Bach Six Cello Suites - BBC Proms 2015






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(interview just past the end of the first hour)
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ah






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Out of every one hundred men, ten shouldn’t even be there, eighty are just targets, nine are the real fighters, and we are lucky to have them, for they make the battle. Ah, but the one, one is a warrior, and he will bring the others back.

—Heraclitus
Fragments

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subcognition
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Saturday, December 2, 2017

question





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How shall I hold on to my soul, so that
it does not touch yours? How shall I gently
lift it up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.

And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.

On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.


–Rainer Maria Rilke
O sweetest of songs


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Tuesday, November 28, 2017

your work is deeper





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Be with those who help your being.
Don't sit with indifferent people, whose breath
comes cold out of their mouths.

Not these visible forms, your work is deeper.
A chunk of dirt thrown in the air breaks to pieces.
If you don't try to fly,
and so break yourself apart,
you will be broken open by death,
when it's too late for all you could become.

Leaves get yellow. The tree puts out fresh roots
and makes them green.
Why are you so content with a love that turns you yellow?


—Rumi
Ode 2865
Coleman Barks version



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Saturday, November 25, 2017

beloveds






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For small creatures such as we,
the vastness is bearable only through love.

–Carl Sagan



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Wednesday, November 1, 2017

Wednesday, October 25, 2017

Sunday, October 22, 2017

Saturday, October 21, 2017

Sunday, October 15, 2017

Tuesday, October 10, 2017

Saturday, October 7, 2017

note to self





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You create what you resist.

—Luis Alvarez
Nobel Prize/Physics



...


what you resist not only persists, but will grow in size.
 

–Carl Jung 


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Friday, October 6, 2017

Wednesday, October 4, 2017

you know ...





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Your effort is the bondage.

—Sri Ramana Maharshi



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Tuesday, October 3, 2017

question






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Sunday, October 1, 2017

not to worry





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Let what comes come

Let what goes go

Find out what remains.


—Ramana Maharshi


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Wednesday, September 27, 2017

Thursday, September 21, 2017

tell me a story






💗





I don’t know any longer whether I’m living or remembering. –Albert Camus






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In Arthur Conan Doyle’s detective novel A Study in Scarlet (1887) we learn that Sherlock Holmes used the most effective memory system known: a memory palace. Although imagined memory palaces are still used by memory champions and the few who practice the memory arts, they are best known from Greco-Roman times when great orators, including Cicero, used them to ensure their rhetoric was smooth, detailed and flawless. The physical memory palace, usually a streetscape or building interior, would become so familiar to the orator that it was always available to them in their imagination. By ‘placing’ one piece of information in each site, they could mentally stroll through their memory palace, location by location, drawing out each portion of the speech in the required order without missing any element.

Received opinion is that this method of loci, as the technique is also known, dates to before Simonides of Ceos (c556-468 BCE), who is often credited as the inventor. However there is ample circumstantial evidence that indigenous cultures the world over have been using it for far longer than that. There is a continuous record dating back at least 40,000 years for Australian Aboriginal cultures. Their songlines, along with Native American pilgrimage trails, Pacific Islanders’ ceremonial roads and the ceque system of the Inca at Cusco all exhibit exactly the same pattern as the memory palaces described by Cicero. At each sacred location along these paths, elders would sing, dance or tell a story, all making the information associated with the location more memorable.

The memory skills of indigenous elders exceed anything reported for the ancient Greeks. Research with the Native American Navajo people, for example, shows that they memorise a classification of more than 700 insects along with identification, habitats and behaviour. And that’s just insects. A fully initiated indigenous elder would be able to relate stories equivalent to a field guide for all the birds, mammals, reptiles, fish and hundreds of insects within their environment.

Another study shows that the Hanunoo people of the Philippines were able to identify 1,625 plants, many of which were unknown to Western science at the time. Add to that knowledge of astronomy, timekeeping, navigation, legal and ethical guidelines, weather and seasons, complex genealogies and belief systems, and you have a vast encyclopaedia stored in an interwoven memorised web: a web that is tied to a real or imagined memory palace.

Cultures without writing are referred to as ‘non-literate’, but their identity should not be associated with what they don’t do, but rather with what they do from necessity when there is no writing to record their knowledge. Cultures without writing employ the most intriguing range of memory technologies often linked under the academic term ‘primary orality’, including song, dance, rhyme and rhythm, and story and mythology. Physical memory devices, though, are less often included in this list. The most universal of these is the landscape itself.

Australian Aboriginal memory palaces are spread across the land, structured by sung pathways referred to as songlines. The songlines of the Yanyuwa people from Carpentaria in Australia’s far north have been recorded over 800 kilometres. A songline is a sequence of locations, that might, for example, include the rocks that provide the best materials for tools, to a significant tree or a waterhole. They are far more than a navigation aid. At each location, a song or story, dance or ceremony is performed that will always be associated with that particular location, physically and in memory. A songline, then, provides a table of contents to the entire knowledge system, one that can be traversed in memory as well as physically.

Enmeshed with the vitalised landscape, some indigenous cultures also use the skyscape as a memory device; the stories of the characters associated with the stars, planets and dark spaces recall invaluable practical knowledge such as seasonal variations, navigation, timekeeping and much of the ethical framework for their culture. The stories associated with the location in the sky or across the landscape provide a grounded structure to add ever more complexity with levels of initiation. Typically, only a fully initiated elder would know and understand the entire knowledge system of the community. By keeping critical information sacred and restricted, the so-called ‘Chinese whispers effect’ could be avoided, protecting information from corruption.

Rock art and decorated posts are also familiar aids to indigenous memory, but far less known is the range of portable memory devices. Incised stones and boards, collections of objects in bags, bark paintings, birchbark scrolls, decorations on skins and the knotted cords of the Inca khipu have all been used to aid the recall of memorised information. The food-carrying dish used by Australian Aboriginal cultures, the coolamon, can be incised on the back, providing a sophisticated mnemonic device without adding anything more to the load to be carried when moving around their landscape. Similarly, the tjuringa, a stone or wooden object up to a metre long decorated with abstract motifs, is a highly restricted device for Aboriginal men. As the owner of the coolamon or the elder with his tjuringa touched each marking, he or she would recall the appropriate story or sing the related song.

This is very similar to the way the Luba people of West Africa use a well-documented memory board known as a lukasa. Previous researchers have claimed that the ‘men of memory’ of the Mbudye society would spend years learning a vast corpus of stories, dances and songs associated with the bead and shells attached to a piece of carved wood. My initial attitude when I read this was complete skepticism. It was surely claiming far too much for such a simple device. So I made one. I grabbed a piece of wood and glued some beads and shells on it and started encoding the 412 birds of my state: their scientific family names, identification, habitats and behaviour. It worked a treat. I no longer doubt the research. Though simple, this is an incredibly powerful memory tool. Inspired by my success with the lukasa, I have also created songlines for more than a kilometre around my home. I have a location on my walk for each of the 244 countries and dependent territories in the world. I walk through them from the most populous in China to little Pitcairn Island. I also walk through time from 4,500 million years ago until the present, nodding to the dinosaurs, meeting our hominid ancestors and greeting numerous characters from history. My memory has been hugely expanded by using this ancient mnemonic technique.

It is the structure of the human brain that dictates the memory methods that work so effectively right across human societies. It is our dependence on writing that has eroded this skill. We can, if we choose to, implement these techniques alongside our current educational methods. I have taught schoolchildren to sing their science and to create memory trails right around the school grounds, with excellent results. We can and should learn from the intellectual achievements of indigenous cultures by adapting their techniques to contemporary life. But when we do this, we should acknowledge the source. These memory techniques are far older than our Western civilisation, and they are far more effective than the crude rote techniques that replaced them.
–Lynne Kelly












Saturday, September 16, 2017

question







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Are we not at peace in the interval when one thought ceases and another does not yet arise?


—Ramana Maharshi


. . .


Whenever you entrust your heart to a thought,
something will be taken from you inwardly
Whatever you think and acquire, the thief will
enter from that side where you feel safe
So busy yourself with that which is better, so
that something less may be taken from you.


—Rumi
Mathnawi II:1505-1507
William Chittick translation



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Sunday, September 10, 2017

i am so glad and very






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i am so glad and very
merely my fourth will cure
the laziest self of weary
the hugest sea of shore

so far your nearness reaches
a lucky fifth of you
turns people into eachs
and cowards into grow

our can'ts were born to happen
our mosts have died in more
our twentieth will open
wide a wide open door

we are so both and oneful
night cannot be so sky
sky cannot be so sunful
i am through you so i


–E. E. Cummings



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Saturday, September 9, 2017

the parable of the equal hearts





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Once there were two lovers that had equal hearts.
One would pursue one,
the other would pursue the other.
Then the angels looked down and said:
“What a waste,” and made them perceive each other.
Their hearts melted into one.
They had no use for the world
so they leaped into the swift river.
This heart was always restless
and the only place where it had any rest at all was on the beach.
But even on the beach one said:
“I wish we’d never been made one.”
And immediately one half flew up in the sky
and the other half into the sea.
But they yearned for each other.
And when it rained the one in the sea said:
“This is a message from my other half in the sky.”
And when the water was evaporated from the ocean and rose
up, the other said:
“This is a message from my other half in the sea.”
The angels were stumped.
There’s one thing that God is not able to endure –
a suffering heart.
He felt one half in the sky and one half in the sea.
God thought what to do.
So the one in the sky fell down into the sea
and immediately both turned to sea water.
Ever since that time when the water is drawn up from the sea
and it rains this is not an ordinary rain. It’s the rain
that affects people and softens them.
I painted a painting called This Rain.


—Agnes Martin
the parable of the equal hearts

—Agnes Martin
This Rain, 1960 Oil on canvas




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Sunday, June 4, 2017

listen





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3:30, sigh ...
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Friday, March 17, 2017

needful things





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Do not store up for yourselves treasures on earth, where moth and rust consume and where thieves break in and steal; but store up for yourselves treasures in heaven, where neither moth nor rust consumes and where thieves do not break in and steal.

–Jesus of Nazareth
Matthew 6.19-20



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Saturday, January 14, 2017

the proof


 



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Ultimately, you are the proof that God exists, not the other way around. For before any question about God can be put, you must be there to put it.


–Nisargadatta Maharaj


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