Showing posts with label playing for change. Show all posts
Showing posts with label playing for change. Show all posts

Sunday, September 28, 2025

all of life dies all of the time

 





.

 




Everything in the world dies, but we only know about it as a kind of an abstraction. If you stand in a meadow, at the edge of a hillside, and look around carefully, almost everything you can catch sight of is in the process of dying, and most things will be dead long before you are. If it were not for the constant renewal and replacement going on before your eyes, the whole place would turn to stone and sand under your feet. 

There are some creatures who do not seem to die at all; they simply vanish into their own progeny. Single cells do this. The cell becomes two, then four, and so on, and after a while the last trace is gone. It cannot be seen as death; barring mutation, the descendants are simply the first cells, living all over again. 
The cycles of the slime mold have episodes that seem as conclusive as death, but the withered slug, with its stock and fruiting body, is plainly the transient tissue of a developing animal; the free-swimming amebocytes use this organ collectively to produce more of themselves.

Who ever sees dead birds, in anything like the huge numbers stipulated by the certainty of the death of all birds? A dead bird is an incongruity, more startling than an unexpected live bird, sure evidence to the human mind that something has gone wrong. Birds do their dying off somewhere, behind things, under things, never on the wing. It is a natural marvel. 
All of the life of the earth dies, all of the time, in the same volume as the new life that dazzles us each morning, each spring. […] I have lived all my life with an embarrassment of squirrels in my back yard, they are all over the place, all year long, and I have never seen, anywhere, a dead squirrel.

I suppose it is just as well. If the earth were otherwise, and all the dying were done in the open, with the dead there to be looked at, we would never have it out of our minds. We can forget about it much of the time, or think of it as an accident to be avoided, somehow. But it does make the process of dying seem more exceptional than it really is, and harder to engage in at the times when we must ourselves engage. There are 3 billion of us on the earth and all 3 billion must be dead, on a schedule, within this lifetime. The vast mortality, involving something more than 50 million of us each year, takes place in relative secrecy. 

We speak of our own dead in low voices; struck down, we say, as though visible death can only occur for cause, by disease or violence, avoidably. All of that immense mass of flesh and bone and consciousness will disappear by absorption into the earth, without recognition by the transient survivors.

Less than half a century from now (2024), our replacements will have more than doubled in numbers. It is hard to see how we can continue to keep the secret, with such multitudes doing the dying. We will have to give up the notion that death is catastrophe, or detestable, or avoidable, or even strange. 
We will need to learn more about the cycling of life in the rest of the system, and about our connection to the process. 

Everything that comes alive seems to be in trade for something that dies, cell for cell. There might be some comfort in the recognition of synchrony, in the information that we all go down together, in the best of company.


—Lewis Thomas
The Lives of a Cell, 1974, excerpts
(treasure)


 

. 





Monday, December 30, 2024

everyday gods

 






.




Let us not speak now of God the Father. Let us speak rather of the gods, your neighbours, and of your brothers, the elements that move about your houses and your fields.

You would rise in fancy unto the cloud, and you deem it height; and you would pass over the vast sea and claim it to be distance. But I say unto you that when you sow a seed in the earth, you reach a greater height; and when you hail the beauty of the morning to your neighbour, you cross a greater sea.

Too often do you sing God, the Infinite, and yet in truth you hear not the song. Would that you might listen to the songbirds, and to the leaves that forsake the branch when the wind passes by, and forget not, my friends, that these sing only when they are separated from the branch! Again, I bid you to speak not so freely of God, who is your All, but speak rather and understand one another, neighbour unto neighbour, a god unto a god.

For what shall feed the fledgling in the nest if the mother bird flies skyward? And what anemone in the field shall be fulfilled unless it be husbanded by a bee from another anemone?

It is only when you are lost in your smaller selves that you seek the sky which you call God. Would that you might find paths into your vast selves; would that you might be less idle and pave the roads!

My mariners and my friends, it were wiser to speak less of God, whom we cannot understand, and more of each other, whom we may understand. Yet I would have you know that we are the breath and the fragrance of God. 
We are God, in leaf, in flower and, oftentimes, in fruit.


—Kahlil Gibran
excerpts from The Garden of The Prophet








In order for us to use our power well, we must become a hollow bone. We must prepare ourselves to become a channel. Our channel must be clean before we can use our power well. We must be free of resentments, guilt, shame, anger, self pity and fear.

If these things are in us, we cannot be hollow bones. These things block us from our power. The cleaner we are, the more power we move. We must become a hollow bone so the Creator can use us to do what he wants us to do.

My Creator, remove from me today all resentment, anger, fear, guilt and selfishness. Do not let my weaknesses stand in the way of my usefulness to You. Make me a hollow bone so Your power can flow through me.


—Sparrow White Elk Raven




.








Sunday, February 11, 2024

i drool all over :)

 






.




Sanskrit has ninety-six words for love; ancient Persian has eighty, Greek three, and English only one. This is indicative of the poverty of awareness or emphasis that we give to that tremendously important realm of feeling.

Eskimos have thirty words for snow, because it is a life-and death matter to them to have exact information about the element they live with so intimately.

If we had a vocabulary of thirty words for love … we would immediately be richer and more intelligent in this human element so close to our heart. 

An Eskimo probably would die of clumsiness if he had only one word for snow; we are close to dying of loneliness because we have only one word for love. 

Of all the Western languages, English may be the most lacking when it come to feeling. 


—Robert Johnson
The Fisher King and the Handless Maiden




.




From Alto Cedro I go to Marcané,
Then to Cueto, I go to Mayarí
 
The love I have for you
I can't deny it
I drool all over
And I can't help it
 
When Juanica and Chan Chan
Sifted sand in the sea
The way she was shaking the "sieve"
was making Chan Chan embarrassed!
 
Clear the road of straws
'Cause I want to sit down
On this trunk that I see
And I can't arrive there that way
 



.








Friday, August 18, 2023

levee's goin' to break








.




If it keeps on rainin', levee's goin' to break
If it keeps on rainin', levee's goin' to break
When the levee breaks, I'll have no place to stay

Mean old levee taught me to weep and moan, Lord
Mean old levee taught me to weep and moan
It's got what it takes to make a mountain man leave his home
Oh well, oh well, oh well

Don't it make you feel bad
When you're tryin' to find your way home
You don't know which way to go?
If you're goin' down south
They got no work to do
If you're going down to Chicago

A-ah, a-ah, a-ah

Cryin' won't help you, prayin' won't do you no good
No, cryin' won't help you, prayin' won't do you no good
When the levee breaks, mama, you got to move, ooh

All last night sat on the levee and moaned
All last night sat on the levee and moaned
Thinkin' 'bout my baby and my happy home
Ah-oh

Ah, ah, ah, ah
Ah, ah, ah, ah
Goin'
I'm goin' to Chicago
Goin' to Chicago
Sorry, but I can't take you, ahhh
Goin' down, goin' down now
Goin' down, goin' down now
Goin' down, goin' down
Goin' down, goin' down



.