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I pictured a rainbow
You held it in your hands
I had flashes
But you saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
The whole of the moon
You were there in the turnstiles
With the wind at your heels
You stretched for the stars
And you know how it feels
To reach too high
Too far
Too soon
You saw the whole of the moon
I was grounded
While you filled the skies
I was dumb-founded by truths
You cut through lies
I saw the rain, dirty valley
You saw Brigadoon
I saw the crescent
You saw the whole of the moon
I spoke about wings
You just flew
I wondered, I guessed, and I tried
You just knew
I sighed
But you swooned
I saw the crescent
You saw the whole of the moon
The whole of the moon
With a torch in your pocket
And the wind at your heels
You climbed on the ladder
And you know how it feels
To get too high
Too far
Too soon
You saw the whole of the moon
The whole of the moon
Hey yeah
Unicorns and cannonballs
Palaces and piers
Trumpets, towers, and tenements
Wide oceans full of tears
Flags, rags, ferry boats
Scimitars and scarves
Every precious dream and vision
Underneath the stars
Yes, you climbed on the ladder
With the wind in your sails
You came like a comet
Blazing your trail
Too high
Too far
Too soon
You saw the whole of the moon—Michael Scott
YouTube notes: Fiona Apple covered The Waterboys’ The Whole of the Moon for the series finale of Showtime’s The Affair. She asked Tony Berg to produce the record. Tony called in Matt Chamberlain, Patrick Warren, Ethan Gruska, Wendy Melvoin, and Phoebe Bridgers. Fiona has worked often with Matt and Patrick and knew Ethan as the brother of her former bandmate, drummer, Barbara. This was the first time she had met Wendy and Phoebe and fell in love with both of them. In a few hours they produced this beautiful rendition of a classic written by Mike Scott. After Mr. Scott (@ MickPuck) heard the performance he tweeted – “Prepare ye to receive goosebumps.” Fiona practiced the first take in a small vocal closet but when it came time for the main event, Tony moved Fiona into the big room where she had a great expanse to sing into. I tagged along with my new camera which I could barely work because I had forgotten my glasses – couldn’t see the buttons, couldn’t focus. Despite the crappy camera work of a blind photographer, the magic that is Fiona shines through. I hope you enjoy this captivating version of a sublime song. Drums – Matt Chamberlain Chamberlin – Patrick Warren Bass – Wendy Melvoin Piano – Ethan Gruska Background Vocals – Phoebe Bridgers BTW, Fiona was named after a character in the musical, Brigadoon. And Tony Berg is the one who described Fiona as "pissed off, funny, and warm."
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thank you
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